A music video followed its release on July 11. The album's lead single " Dirty Little Secret" was released June 6, 2005. The trek also included an appearance at that year's The Bamboozle festival. Release īetween March and May 2005, the All-American Rejects embarked on a headlining US tour the first half of it was supported by Number One Fan and Action Action, while Armor for Sleep and Hellogoodbye featured on the second half. Ted Jensen mastered the album at Sterling Sound in New York City.
The songs recorded were then mixed in March 2005 by Chris Lord-Alge at Resonate Music in Burbank.
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Hatsukazu Inagaki was the assistant engineer, with Paul Decarli doing Pro Tools editing. Howard Benson acted as producer, with recording being handled by Mike Plotnikoff. Sessions were held at Bay 7 Studios in Valley Village, California, and Sparky Dar k Studio in Calabasas, California strings were recorded by Casey Stone at Sunset Sound in Hollywood, California.
Production for the album took place in Burbank, California the following December, taking a majority of seven weeks to record. After the end of their tour, the band's songwriters Tyson Ritter and Nick Wheeler spent the majority of 2004 writing more new material in their homes in Destin, Florida. The All-American Rejects began writing new material for their second album in the fall of 2003, with the song "Dance Inside" being the first written and performed by the band during their then-current tour. It spawned three top 15 singles, which helped the album ship 2 million units to be certified double platinum by the RIAA. (A children's choir? Come on.) In other words, it's easy to like the All-American Rejects if you're looking for 21st century mainstream rock that takes very, very few chances but does offer solid melodies and easy to swallow take/break and night/flight rhyme schemes.Move Along is the second studio album by the American rock band the All-American Rejects, released on July 12, 2005, by Interscope Records. The songs are also impeccably arranged, even if they're relentlessly processed and some of the instrumentation seems like overkill. Move Along has some memorable hooks, such as those on the title track or "Change Your Mind" - and, living up to its title, it moves along efficiently, usually keeping the pace at a snappy midtempo. There's also distortion somewhere in "Stab My Back," but it's buried under acoustic guitars, vocal overdubs, and mournful keyboards. (Fans of Wakefield, Something Corporate, Switchfoot, and American Hi-Fi should take note.) The Rejects rock out a little on "Night Drive," "Dirty Little Secret," and "I'm Waiting" - the guitars crackle anxiously, and Tyson Ritter and Nick Wheeler's breathy harmonies soar like they mean it. But the Rejects blend and sculpt those influences with keyboards, choirs, pianos - there's even a classical guitar on "Top of the World" - and the result is superficial midrange pop with appeal for a general audience of casual listeners. The earnest racket of an outfit like the Get Up Kids is also a component in Move Along's sound. The All-American Rejects' effervescent 2003 hit "Swing Swing" sounded like a pop-punk adaptation of Better Than Ezra, and their sophomore effort makes this mix even more apparent.
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